Kevin Neece would like to show all of you something about his movies, since there are people who are new to the group and Kevin Neece's Ah My Goddess films. If Kevin has been making and releasing these movies for the Past Nine Years, why has he been unable to pick up an audience while Vivienne Medrano was able to get millions of viewers within the same time period with a show that that is thematically identical to his.
This is a screencapture of what Kevin Neece's films look like when you look for them in a search on YouTube and you are not logged in under an age verification account. And the second photo is what it looks like when you do a search for Ah My Goddess.
If a person uploads a pirated episode of Ah My Goddess Season One or Two, it automatically gets 16,000 views within the span of a month because everyone knows about the show and is searching for it. Kevin Neece's movies don't pop up in a search for Ah My Goddess by association unless you are searching for the specific titles directly and as you can see, YouTube is censoring and hiding the videos because of COPPA.
YouTube does NOT allow advertising for R Rated videos on their servers, and Kevin Neece's movies are the equivalent of an NC-17 rating. In order to get the films Rated by the MPAA, Kevin Neece would have to pay them $3,000 per film just to get them to watch them, and they are going to slap the films with an NC-17 anyways. Kevin Neece is not going to butcher his own movies just to get an R Rating. The Reason why Vivienne Medrano is able to mass advertise Hazbin Hotel on YouTube is because Amazon Prime is taking the video segments out of context to hide the R Rated Materials that are featured in the movies.
In order for Kevin Neece to submit the videos to Amazon Prime or FilmHub, he has to have subtitle files for his films, and he doesn't have the money to pay for the subtitling. Kevin Neece cannot apply subtitle files to Ah My Goddess because the subtitles are automatically hardcoded to the videos. Because of this, the films are automatically rejected by both Amazon Prime and FilmHub, and FilmHub is necessary to get the films examined by Netflix and Streaming Channels. And on top of this, Kevin Neece doesn't own the IP Rights because his films are classifiable as Fan Fiction made outside of the Studio System.
Kodansha Ltd, who owns the IP Rights to Ah My Goddess, has a QnA posted on their Corporate Website explaining that they do not do business licensing with filmmakers who have no previous professional experience, and they specifically warn everyone that they do not have the ability to legitimaze fan films into official anime productions because they are pirated. The reason why this appears on their corporate website is because Kevin Neece has been sending them his Ah My Goddess fan films for years and they absolutely positively refuse to respond to him under any circumstances. Their Lawyers are afraid to touch him with a ten foot pole, after Kevin Neece willingly volunteered everything about his life to them including his living situation and personal finances. When Kevin Neece inherited $200,000 from his father, making his soluble to be targeted and litigated by Kodansha Ltd, he was honest and upfront with them about what happened, and they still refused to press charges against him.
Kevin Neece has been posting the links to his films on FilmFreeway to Social Media such as Twitter endlessly for years, and nobody reacts to the links because the Twitter Algorithm shadow bans and hides the video links so that nobody will see them. Twitter wants you to pay them for the advertising to promote the links, and Kevin Neece does not have the money to pay them. Elon Musk is directly responsible for hiding Kevin Neece's movies.
IMDb keeps rejecting the Film Submissions for Ah My Goddess after Kevin Neece posting a movie called The Tutelage of Seiji Noma which heavily criticizes Sean Astin and SAG AFTRA. Kevin Neece is still able to upload the videos onto IMDbTV's servers under the previous Title Pages to flip them off, because he is presently unable to create new listings because IMDb is attempting to blacklist him. Kevin Neece wrote six years of behind the scenes trivia for his pages, and IMDb sabotaged the pages and erased all of his trivia information after they had been posted for years. Kevin Neece had all of the film festival award certificates for Let's Save Vic Morrow posted to IMDb and somebody removed all of them to try and hide the films validation at the film festivals. Kevin Neece put a death curse on IMDb CEO Nikki Santoro so that she would be diagnosed with Terminal Cancer and die within the next 2 to 3 years.
The reason why Kodansha Ltd keeps doing this to Kevin Neece is because they live in Tokyo Japan outside of the FBI's American Jurisdiction and nobody has attempted to extradite Kosuke Fujishima or Yoshinobu Noma as witnesses to Kevin Neece's behavior, meaning they know they can get away with it because they believe they are untouchable. If Kodansha Ltd attempted to make Kevin Neece a job offer under the condition that he move to Tokyo Japan to work in their offices, Kevin Neece would have to reject that offer because he knows from past personal experience that they cannot be trusted and they could have him arrested on piracy grounds the minute he steps off the plane over the Copyright Issues. Kevin Neece illegally adapted Paradise Residence, Toppu GP and Oh My Goddess Niflheim Rebellion into Video Comic format which is highly illegal in Japan and comes with aTwo Year Prison Sentence. Kodansha Ltd doesn't have the ability to extradite Kevin Neece from Austin Texas, the only way they could arrest him would be if they tricked him into traveling to Tokyo Japan of his own free will so they could have him sent to prison without going through the court process to extradite him.
The Entire Voice Cast of Ah My Goddess refused to respond to Kevin Neece for Nine Years despite his daily email updates because they are members of SAG AFTRA. In order for Voice Actors to work on Professional Animation Productions, they have to join SAG AFTRA, but once they become members, they are forbidden from working on Non Union No Budget Productions. SAG AFTRA allows for Public Access and Film Festivals, but Animation is Forbidden. Kevin Neece cannot use a real voice cast on Ah My Goddess like Vivienne Medrano does on Hazbin Hotel because he is being blackballed by SAG AFTRA's policies. Even when Kevin Neece had $200,000, the Entire Voice Cast of Ah My Goddess still refused to respond to him.
Kevin Neece took his entire case to SAG AFTRA and demanded that they take it all the way up to Sean Astin, claiming that their policies resulted in him being exploited and alienated by Kodansha Ltd, Dark Horse Comics, and the entire cast of Ah My Goddess for Nine Years, during which he performed unpaid volunteer development work on his Ah My Goddess spinoff series while he was blacklisted from official employment and forced to live with his retired mother to avoid homelessness. SAG AFTRA's policies to protect their members directly resulted in the exploitation of Kevin Neece for Nine Years, and Sean Astin and SAG AFTRA refused to respond to his allegation. Kevin Neece put the arguments against SAG AFTRA in The Tutelage of Seiji Noma which went out to the entire US Congress and United Nations and Sean Astin still refused to defend himself or respond, and had his credit removed on IMDb to hide the movie from his members.
Kevin Neece proved that he had the ability to upgrade his Video Comics into actual animated films using Pollo AI Membership for $60 a month, but several months into the conversion, after completing the entire first season, SAG AFTRA convinced Ken Paxton to criminalize the AI Deepfake Software with a Two Year Prison Sentence, Severe Fines, and the Judge could have the source files deleted. Kevin Neece didn't find out about the Law Change until three months later after The Return of Jeffrey Epstein had already been released to the Entire US Congress and Intelligence Agencies and Criminal Justice System. Corey Feldman warned him that what he had done was highly illegal and that Kevin Neece would be hearing from his lawyers if he didn't remove the film online. Kevin Neece refused and Corey Feldman and Ken Paxton backed down and never attempted to have the videos removed themselves, even when the Laws in the State of Texas allowed for them to do it. Alissa Hunnicutt, Matt Caplan, Shannon Conley, Corey Feldman, Lloyd Kaufman, Tim League, Kash Patel, Christopher Wray, and the Rothschild Family all have the Legal Ability to press charges against Kevin Neece and send him to prison under Texas State Law, and none of them have successfully been able to do it because somebody with Connections in the US Government doesn't want the movies and online articles concerning the Ah My Goddess Investigation to be examined by a Courtroom Judge.
Kevin Neece has examined the email responses from United States Congress and noticed that all of the Video Links were changed by the server which prevents them from accessing the videos, which might explain why US Congress has not reacted to the Political Satire films. It's because they are unable to access the videos, and have no context for what Kevin Neece is trying to show them, so they are dismissing the emails. In some cases, the Congressmen have policies not to watch independently produced productions. So someone rich and powerful like Elon Musk can make a movie and Congress will watch it, but an Outsider like Kevin Neece who has no money is blackballed because they won't even look at what he is sending him. They will just patronize him with pre-written response letters that do not address the subject of the emails.
Everybody in the professional film industry is acting like Kevin Neece's Ah My Goddess films are a failure because of the Video Comic Format, the Text to Speech Voice Cast, claiming the movies suck without watching them in full to see if the screenplays went anywhere or if Kevin Neece actually had something to say about the human condition. But nobody will own up to the fact that the films are being systematically hidden from the general public, that everyone in the professional film industry refuses to acknowledge them because they are unsolicited materials. Vivienne Medrano and Lloyd Kaufman are supposed to be independent filmmakers, and both of them are afraid to acknowledge the arguments in Kevin Neeces films in front of the general public.
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